Friday 22 October 2010

Tuscan Blue Sky Days

Now the weather has bucked up at last, and it is a good day for cloud studies.
The day started bright with fluffy clouds, but as it progressed they became more varied and interesting.
I worked on one large board divided up into four sections, each part underpainted with a difference colour, which reflects in the final effect of each study.
They have now been cut into four individual paintings that work really well together as a set.
Cloud studies I, II, III, IV
Each 20 x 14.5cms
Oil on Canvas Board
My paintings are always for sale.  If you are interested please email me.

Tuscan Tree Studies

Trees are something that painters love or hate.  All that green, all those shapes, in watercolour I have devised my own method of approach, but in oils ???  I am more accustomed to painting light clours first, then darks, but to work totally in reverse really gave me brain ache. (Or maybe it was the wine at lunch)
So today was a day of tree studies.  Sessile oaks, Pines of every description, Olive groves. So much to choose from. And it rained. Very hard.
My first choice was a huge Sessile Oak. It was hard enough to get a clear view from ar away enough to fit onto a small piece of paper.
After lunch the sun made a brief appearance and I chose a tree perched precariously on the top of a cliff that I could paint from the cover of a nearby shelter in case the rain came back with a vengeance.
Sessile Oak Study
Wooded Cliff
Oils on paper 20x20cms
My paintings are always for sale.  If you are interested please email me.

A dismal day in Tuscany

The weather wasn't at it's best to start with.  Our task for the day was to paint the same view in the morning light, then again in the afternoon light.  Sadly the light was pretty flat and remained constant for the entire day.  So - only the one painting this day.  I did try to do other late afternoon light versions late in the week but none of them were finished due to pressures of time.

What a revelation to find I can paint in oils on good quality watercolour paper.  It needs further treatment to ensure its archival properties, but any works sold will be suitably mounted and sealed.  Many thanks to Maddine Insalaco of Etruscan Places for the information and research.

Gloomy day across the valley. Armena
Oils on Paper  20x20 cms
My paintings are always for sale.  If you are interested please email me.

Time for an oil change

I spent a week in Tuscany lately, with Maddine Insalaco and Joe Vinson of Etruscan Places.  It was a pretty intensive week of Plein Air oil painting, which is not something I normally do, but I really enjoyed it.  Here are a selection of my paintings, (after I had reviewed them and make some small modifications - mainly adjusting the contrast and intensifying a few darks.  There are some more - but I will post those when I have had chance to finish them off.

This is the first - a view from the terrace of our accommodation (which I can really recommend - more of that later).  The umbrella pines and tall spiky Lombardy pines are so typical of the area.  These line the approach road to the farm and stand proudly silhoutted on the hillside.  The olive groves below provided problems of their own due to their regular patterns and softly stated colourings.
This is still a work in progress.  Seeing it on screen really shows up what I need to alter!! I will re-post when it is adjusted.


Umbrellas and Lombardys - Armena
Oils on paper 20x20cms
My paintings are always for sale.  If you are interested please email me.