Electric bike excitement and a cow shed

Because we are in our motorhome we have no ancillary transport with us, so up to now I have been on a borrowed push bike.
Well, as you can imagine it's a bit hilly in these mountains, so you can imagine how excited I was to be offered a trial of an electric bike.
Now this wasn't your average, measly engined pedallo.  Oh no, it was a super duper, top of the range high voltage (well not too sure about that bit) high speed mountain bike.
It weighed a ton, so I wouldn't have liked to hump it across streams or over fences, but by golly it went like s**t off a shovel, and what fun!  I want one.

Sadly it was rather too expensive for me just now, and was also so heavy we would have had to put a stronger bike carrier on the van.  It was with heavy heart that I handed it back at the end of the day.
But it made my trip up to the cowshed a much more fun experience.

I had spotted this little shed over the winter.  The valley is quite steep here so it got little sun, but now the sun is much higher for longer (in mid-summer) it was perfect fodder for my paint palette.
The sun was hot, but I found a generously shady tree, inevitably surrounded by nettles waiting for when I dropped brushes etc, but the shade was welcome.
I am trying to get more paint on my canvas, and end up with a brighter result.  For many a long month I have been a bit disappointed to arrive home and find a dull painting that needed post brightening treatment.

I prefer working on a tinted canvas.  Recently I have been tinting my board on site, rather that preparing it before I leave home, and I suspect this has added to my woes.  I have other strategies for future attempts that involve a quick rough block in of the basic shapes, on a white ground, then a layer of thicker paint on top.  This was my first attempt at this ploy, and I think it paid off. I didn't need to brighten this one up at all, in fact no alterations were made when I got home, other than to photograph it better.

I am quietly pleased.  The shed doesn't look too precise (always a bugbear of mine) and the roof colour has worked well.
The position of the sun also meant that as it moved round the light didn't vary too much.  I had established the shadow patterns early on so was able to stick with it, and my preparatory sketch helped me remember relative values.  I will get there eventually!

Cow Shed on the Plateau
12x10"
oils on canvas board

Nice weather in the Alps

When we arrived last week it was a bit English, in terms of grey, cool and damp, but the weather has taken a turn for the better and I have been able to get out with my paints,  As we came in our motorhome and didn't bring bikes I have been using one from my next door neighbour.  I think blokes have seat bones in different places to us girls, and my painting gear just puts extra weight on the old bones.

We live in a residential area, but the chalets are well spaced and most have delightful backdrops of mountains and lots of conifers.  Here is one just down the road from us.

I am standing next to the public bins, so it could be called 'view from the Poubelles', but I think I need to find a more apposite title.

The giant rock on the right will have fallen from the steep mountainside, out of shot.  Glad I wasn't there when it landed!  That is Pointe de Villeneuve in the background.  it has crept into quite a lot of my local views.  You will see that they have a parasol and garden chairs out.  Thats always a good portent.

10x12" Oils on canvas board
No proper title as yet.

Heading for the heights..

A long way to the sea
Doronne de Chaviere at Roc de la Peche
Parc National de la Vanoise
12 x 9" oils on board

Walk, wine, weather.  A heady mix, but what better way to spend a late summer Saturday in the Alps.  We hiked up to Roc de la Peche for a delicious lunch, happily my lovely husband helped carry my gear (note to self - organise lighter kit for next trip).  After lunch I went down into a ravine to paint at the side of the river (the very same that lower down the mountain was the subject of my last post). I only had a couple of hours until the sun sank behind the very high cliff alongside me, so I made haste and tried to cut short chatting to curious bypassers.

I made a good start, got the blocking in done, noted the colours of the river, which were spectacular, and the fantastic hues of the cliffside reflecting light from the water and the hillside across.  I probably got 75% of the painting under my belt before the sun slipped behind the mountian, probably sooner than it would have done had I been in a more open situation, but perhaps as well as I still had an hours trek down to where my car was parked.

I am now starting to get used to working with my limited palette of six colours plus black and white, and I think it helps give unity to the finished work as all the colours, shades and tints consist of  a really small and common collection of pigments.

I hope I get lots more opportunity to get out to paint plein air before winter closes in.  For the next four weeks I am doing an online study course dealing with values, so mostly I will be doing exercises rather than finished paintings.  Expect a short hiatus, then hopefully some improvement in my value studies!

My new set up

One thing that has hindered me from painting out with pastels in the past is how best to transport them.

I tried various boxes and small assortments but never had enough colours for what I wanted, or the boxes were inconvenient.

A month or so ago I bit the bullet and ordered a Heilman Backpack Box from the USA (on the recommendation of my good friend and excellent pastellist Margaret Evans. It arrived in remarkably good time (about 10 days) then I had the joy of loading it. I was amazed to get most of my stash of colours in, with a bit of careful packing.

This pic is my set up before I started the painting of Grande Casse that I put up earlier.
It is really sturdy, fits happily on top of my (fairly substantial) camera tripod, and the easel support is a great addition. I am really chuffed with it.

It has been up a couple of mountains with me already. I am still working on the minimal packing concept. Not a thing that comes naturally to me, but lugging kilos up high mountain tracks might be good for my weight but not my back.